This started life as a 48 hour short film, but I was never happy with it.  Featuring 4 faces from TYAI.  So here is the Director’s Cut of our short film.
Enjoy!

While we’re sitting here waiting to hear back from the film festivals we’ve submitted to, we decided to bust out the gear and give the 48 hour film festival a go. If you’re not familiar with the 48 hour film festival, you have 48 hours to write, film and edit a short film. The audio isn’t perfect, but here is our film as we submitted.

Mark L. Miller of Ain’t It Cool News is the first site to review The Year After Infection.

” if you’re a fan of zombie horror, you are more than likely going to find something about this indie film to admire.”

Read the full review here

Advance Review: Currently touring festivals!
THE YEAR AFTER INFECTION (2012)
Directed by Antonio E. Greco
Written by Antonio E. Greco
Starring Trinka, Stan Davis, James Eason, Nichole Fischer, Joe Hammerstone, Ben Bovee, Dennis Dashley, Christopher M. Johnson, Eric Warrington, Timothy Lantz, Rhonda Husak, Julian Thomas, Dereck Krebs, Clark Pearson, Elyse Bertani
Find out more about this film here!
Reviewed by Ambush Bug

I’m a dedicated supporter of indie work, be it comics or film. And THE YEAR AFTER INFECTION is most definitely an indie film. Many have difficulty with films such as this because of amateur acting and clumsy editing and problematic pacing of story. All of those things are present in THE YEAR AFTER INFECTION, but still, if you’re a fan of zombie horror, you are more than likely going to find something about this indie film to admire.

Let’s get to the problematic stuff first here. THE YEAR AFTER INFECTION has a lot of pacing problems. Maybe it was because of the amateur acting, but a lot of this film drags like the zombies that star in it. There are huge chunks that I feel could really be clipped away to make a faster moving story. There are a lot of nice elements here, but there is also a lot of meandering between these moments. A snip and slice here and there in the editing room could make for a much more enjoyable movie.

Now, the amateur acting might have been what made this film seem too long. Though I understand it’s hard to get great actors for a low budget film, if you know the actors are not the best, again, editing can cover up a lot of that. Here, despite the fact that these aren’t the best of actors, a lot of time is spent on them and a lot is expected from them. Because of this, the lack of professional acting skill is evident.

That said, I think the stories at play in these four vignettes which are titled by the seasons that pass are pretty fun. One centers on a survivor whose only friend is a zombie. Another follows a group of survivors paddling down a river filled with zombie infested waters. Another features a clinic where experiments on the dead are being made to find a cure. Finally, the best story of the bunch features a loner who finds a young child holed up in a house and must confront his inner demons in order to properly care for him. All of these are winning concepts filled with nice ideas that are touched upon in these short installments. Antonio E. Greco’s stories should be commended for the fact that they are creative stories focusing on the zombie apocalypse, and though the execution is often problematic when it comes to acting and editing, the ideas themselves are strong.

I also have to admire this film for the fact that it chooses to shy away from an outbreak story. So many zombie films focus on the outbreak. It’s a tried and true way of amping up the scares and emotion, but it’s a story so often told that I tire of seeing zombie films because it feels as if that’s the only story people want to tell. Here the outbreak occurs and this is more about adjusting to these changes rather than being shocked by them initially. In many ways I understand, given the walking wounded feel of zombie films in relation to reactions of helplessness to 9-11, but maybe it’s a good sign that series like THE WALKING DEAD and like this film have shied away from the initial shock and focused on what to do next. Though it makes for equally harrowing stories, it also can be said that this is an optimistic way of looking at being a survivor rather than a helpless victim.

Cultural significance aside, the redeeming factor with THE YEAR AFTER INFECTION were the little moments of cool (the canoe riders come across a bridge filled with zombies who drop on the boats from above like kamikazes as they pass under them) or moments of fun (a doctor empties a bedpan filled with blood and bile onto a zombie’s head far below). The ending of this film shows that Antonio E. Greco has a lot of talent in the way he pulls the final moments of story together while giving a nod to NIGHT OF THE LIVING DEAD, the zombie film that started it all. Though rough around the edges, THE YEAR AFTER INFECTION redeems itself though clever ideas and fun moments.

The behind the scenes gallery for Winter Gallery is live.  Click here to see.

Just added to the site, the Summer behind the scenes gallery, with 67 brand new images.
Check it out here: Summer Gallery

The Year After Infection launched it’s all new website on Halloween, and we’re introducing a new section to the site.  Behind the Scenes Galleries.

The first new gallery is spring, with 26 never before seen photos that can be seen here:
Behind the Scenes: Spring Gallery

Enjoy!